{{ hw.pre }}{{ hw.mid }}{{ hw.tail1 }}{{ hw.l2 }}{{ hw.tail2 }} Before Become Obvious
I design and build digital products, from framing what gets made to the thing that ships. Brand and broadcast came first — they taught me to make things that hold up under a close look.
UX certified
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I've never been handed a clear brief. Teams rarely lack momentum; what's missing is agreement about what they're building, and momentum makes that gap expensive. Clarity is what's left after the research, the arguments, and the three versions I threw away.
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Craft is attention to the parts nobody names — continuity, rhythm, the detail that makes something feel intuitive instead of explained. Mostly it's invisible until it's missing. I still build things with my own hands, which keeps me honest about what's actually possible.
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Most of my work is deciding — what to build, what to leave out, what the interface is allowed to imply. In regulated work those decisions get read back to me by legal, privacy, security and the people who have to live with them. So I design them to hold up when they're read.
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What everyone assumed, and what was actually true.
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I came to design from electronic engineering — two years in, then out, because the logic underneath things was more interesting than the circuits. Twenty years later that's still the job: frame the problem, refine the interface, write enough code to find out whether it works.
- Juror's Choice Award, Arteast Mosaic 2025, for Attitude portraits
- 1st prize, UNESCO photography
- 1st prize, UNESCO logo competition, from 110 entries
- 1st prize, Golden Web Awards, Architecture category
- Recognition Prize, International Wildlife and Environment Film Festival
- Solo exhibition, Ferrouj Attitude, Théâtre National Mohammed V
Before Things Become Obvious
The best time to bring me in is while the problem is still unclear. If that's where you are, write to me.
Three signsyou've been briefedon the wrong thing



























